Notes
Dennis O’Driscoll, Stepping Stones: Interviews with Seamus Heaney, London: Faber, 2008, 299.
Ibidem, 308.
Ibid., 114.
Voir Tom McNamara, “10 Quick Questions for Seamus Heaney”, The Prague Post, 12 June 2002.
Voir Rand Brandes, “Seamus Heaney, an Interview”, Salmagundi, 80 (1988), 10.
Ibid. Notre traduction, comme toutes les citations dans cet article.
Frank Kinahan, “An Interview with Seamus Heaney”, Critical Inquiry, 8:3 (1982), 409.
Seamus Heaney, “The Impact of Translation”, The Government of the Tongue, London: Faber, 1988, 38.
O’Driscoll, op. cit., 114-115.
Ibid., 299.
Heaney souligne l’importance des textes critiques de Milosz auxquels il reconnaît une influence encore plus grande qu’à la poésie. Voir O’Driscoll, op. cit., 301.
Brandes, op.cit., 9-10.
Seamus Heaney, “The Redress of Poetry”, The Redress of Poetry, London: Faber, 1995, 1-16.
Seamus Heaney, “Frontiers of writing”, The Redress of Poetry, 186-203.
Seamus Heaney, “Current Unstated Assumptions about Poetry”, Critical Inquiry, 7:4 (Summer 1981), 650.
O’Driscoll, op. cit., 174-175.
Seamus Heaney, “Brodsky’s Nobel: what the applause was about”, The New York Times, 08/11/1987.
Seamus Heaney, “Secular and Millennial Milosz”, Finders Keepers, London: Faber, 2002, 410-411.
Seamus Heaney, “Osip and Nadezhda Mandelstam”, The Government of the Tongue, 76-77.
See Heaney about Mandelstam in O’Driscoll, op. cit., 175.
Seamus Heaney, “Counting to a Hundred”, The Redress of Poetry, 164-185.
Seamus Heaney, “Atlas of Civilisation”, The Government of the Tongue, 64.
Seamus Heaney, “Sounding Auden”, The Government of the Tongue, 109-128.
Heaney, “Osip and Nadezhda Mandelstam”, The Government of the Tongue, 77.
Seamus Heaney, “Something to Protect”, Parnassus: Poetry in Review, 25:1-2 (2001), 308-321.
Heaney, “The Impact of Translation”, The Government of the Tongue, 39.
Seamus Heaney, North, London: Faber, 1975, 67 pages.
Seamus Heaney, Field Work, London: Faber, 1979, 64 pages.
Seamus Heaney, “Belfast: 2. Christmas 1971”, Preoccupations, London: Faber, 1980, 30-33.
Brandes, op. cit., 10.
Seamus Heaney, “Orpheus in Ireland: On Brian Merriman’s The Midnight Court”, The Redress of Poetry, 38.
Seamus Heaney, “The Fully Exposed Poem”, The Government of the Tongue, 45-46. Voir également Heaney, “Secular and Millennial Milosz”, ibid., 415.
Brandes, op. cit., 10.
Voir notamment Seamus Heaney, “The Government of the Tongue”, The Government of the Tongue, 91 et “Lowell’s Command”, id., 134 & 139.
John Brown, In the Chair: Interviews with Poets from the North of Ireland, Eire: Salmon Pub., 2002, 6.
Seamus Heaney, “Nero, Chekhov’s Cognac and a Knocker”, The Government of the Tongue, xi-xxiii.
Seamus Heaney, “Extending the Alphabet”, The Redress of Poetry, 24.
Seamus Heaney, “Poetry’s Power Against Intolerance”, The New York Times, 26/08/2001, 13.
Seamus Heaney, “Faith, Hope and Poetry”, Preoccupations, 218-219.
Heaney, “The Government of the Tongue”, 91-108.
Heaney, “Current Unstated Assumptions about Poetry”, 650.
Seamus Heaney and Robert Hass, “Robert Hass and Seamus Heaney”, Partisan Review, 66:1 (1999), 44.
O’Driscoll, op. cit., 304.
Aleksandr Solzhenitsyn, Le premier cercle, Paris : R. Laffont, 1970, 576 pages.
Seamus Heaney, “Feeling into Words”, Preoccupations, 43.
Seamus Heaney, “Brodsky’s Nobel: what the applause was about”.
Id.
Seamus Heaney, “Envies and Identifications: Dante and the Modern Poet”, Irish University Review, 15:1 (1985), 5-19.
O’Driscoll, op. cit., 174-175.
Heaney, “The Government of the Tongue”, 95-96.
Seamus Heaney, “A Torchlight Procession of One : On Hugh MacDiarmid”, The Redress of Poetry, 103-123.
Seamus Heaney, “The Indefatigable Hoof-taps : Sylvia Plath”, The Government of the Tongue, 148-170.
Michael Baron, “Heaney and the Functions of Prose”, Seamus Heaney : Poet, Critic and Translator, Ashby Bland Crowder et Jason David Hall (ed.), Basingstoke : Palgrave Macmillan, 2007, 74-91.
Osip Mandelstam, Entretien sur Dante, Genève: La Dogana, 2002, 91 pages.
Osip Mandelstam, Le bruit du temps, Paris : Bourgeois, 2006, 156 pages.
Osip Mandelstam, De la poésie, Paris : Gallimard, 1990, 166 pages.
See Heaney, “Sounding Auden”, The Government of the Tongue, 109-128.
See Seamus Heaney, “The Indefatigable Hoof-taps: Sylvia Plath”, The Government of the Tongue, 148-170. See also Seamus Heaney, The Redress of Poetry, “Counting to a Hundred”.
Seamus Heaney, “Brodsky’s Nobel: what the applause was about”.
S. Heaney, Crediting Poetry, Oldcastle, Ireland: Gallery Books, 1995, 28.
Kinahan, op. cit., 413.
S. Heaney, “The Government of the Tongue”, 98.
O’Driscoll, op. cit., 174.
Voir, par exemple, le passage cité par Heaney dans lequel le poème devient un bateau égyptien. Heaney, “Current Unstated Assumptions about Poetry”, 651.
Osip Mandelstam, The Complete Critical Prose and Letters/ Mandelstam, Ann Arbor: Ardis, 1979, 725 pages.
S. Heaney, “Osip and Nadezhda Mandelstam”, The Government of the Tongue, 85.
Heaney, “Faith, Hope and Poetry”, Preoccupation, 217-218.
Heaney, “The Impact of Translation”, The Government of the Tongue, 37.
Heaney, “Sounding Auden”, The Government of the Tongue, 121.
Heaney, “The Government of the Tongue”, 105-106.
Heaney, “The Impact of Translation”, The Government of the Tongue, 40.
Heaney, “Atlas of Civilization”, The Government of the Tongue, 55.
Heaney, “Joseph Brodsky 1940-1996”, Finders Keepers, 403.
Michael Cavanagh, Professing Poetry: Seamus Heaney’s Poetics, Washington D. C: CUA Press, 2009, 189.
Heaney, “Something to Protect”.
Heaney, “The Impact of Translation”, The Government of the Tongue, 42.
Heaney, “Faith, Hope and Poetry”, 218.
Heaney, “Nero, Chekhov’s Cognac and a Knocker”, The Government of the Tongue, xix.
Heaney, “Joseph Brodsky 1940-1996”, Finders Keepers, 404.
O’Driscoll, op. cit., 297.
Heaney, “Foreword”, Preoccupations.
Heaney, “The Fully Exposed Poem”, The Government of the Tongue, 48.
Heaney, “Counting to a Hundred”, The Redress of Poetry, 175-178.
Voir Dawe, op. cit., 43-44.
Heaney, “The Impact of Translation”, The Government of the Tongue, 40-41.
Voir The Government of the Tongue, “The Placeless Heaven: Another Look at Kavanagh”, 3-14 ou “The Indefatigable Hoof-taps: Sylvia Plath”. Voir également Seamus Heaney, The Redress of Poetry, “Counting to a Hundred”.
Heaney, “The Government of the Tongue”, 100-101.
Heaney, “Joy or Night: Last Things in the Poetry of W. B. Yeats and Philip Larkin”, The Redress of Poetry, 146-163.
Ibid., 146-147.
Heaney, “Atlas of Civilization”, The Government of the Tongue, 55.
Contrairement à ce que Gerald Dawe affirme dans Dawe, op. cit., 46.
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